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Broadway
Musical...
It is no longer a well-kept secret - there are plans well along for a
Broadway musical using the songs of Hoagy Carmichael!
Several years
ago there was a staged reading of a version of the book (script) and a
workshop production of the same idea then called, "The Stardust Road."
Much has changed, including the title (it was also called "Hoagy
& Bix" for awhile), and the story, and a new book writer, British
playwright Peter Nichols (Passion Play, A Day in the Death of Joe Egg,
The National Health, Blue Murder), are presently at work on a new script,
currently titled Hoagland.
Instead of
simply doing a review, the idea has always been to make use of Carmichael's
music in a way that allows those wonderful songs to help tell a story
involving meaningful characters. It was earlier thought that the true
story of the musical friendship between Hoagy Carmichael and his mentor,
the great jazz coronet player, Bix Beiderbecke, was a tale that could
be told with the help of Carmichael's music. So, in the winter of 1995,
an abridged staged version of the musical, "Hoagy & Bix,"
complete with New York actors and musicians, was performed on a stage
built for the occasion, on the lawn at Hugh Hefner's Los Angeles Playboy
mansion (which is, coincidentally, directly across the street from where
Carmichael lived for over 20 years!) to an invited audience of 250 people.
Malcolm Gets, of NBC's "Caroline in the City" played Hoagy,
and Lillias White (who won a Tony Award for her performance in "The
Life" on Broadway) and eight others, made up the cast.
It was apparent to almost everyone on the creative staff after the evening
at Hefner's that the concept of "Hoagy & Bix" did not complement
the Carmichael music well enough to continue with the idea. The concept
that we are now working on conceptually straddles shows like "A Chorus
Line" and "Ain't Misbehavin'," wherein the musical sequences
take their cues from the core idea behind each of the Carmichael tunes
chosen, and then use that image to evoke a moment or feeling in each dramatic
situation. This allows the music to express itself fully... because we
are writing for the music... not for a linear story that the music was
not originally written to tell.
The musical
will include at least twenty of Hoagy Carmichael's favorite songs, including
some of his early jazz tunes like "Riverboat Shuffle" and many
of the standards like Georgia on My Mind," "Stardust" and
"Skylark." The concept calls for a full Broadway orchestra,
with strings for some of the lush ballads, and yet some of the earlier
tunes will have a more traditional jazz feeling. At present there are
ten principles in the cast and six in the chorus.
Mr. Nichols
has recently completed a second draft of the new script. The producer
of this musical, Hoagy Carmichael's son, Hoagy B. Carmichael, presently
intends to have a staged reading of the completed book after the new year
to test the script out on an audience Once the show is financed, the plan
is to have at least two regional tryout productions. This will give the
creative staff an opportunity to see the production in front of a paying
audience, and make necessary changes away from the glare and high costs
of New York before the musical moves to Broadway.
Everyone
has very high hopes for this show. It will have some of the worlds best
known tunes in it (which is what most people want in a musicals... good
music), including the most recorded song of this century, Stardust. The
creative people working on this musical are all award winning veterans
of musical theatre, and the word is that some of the creative ideas for
this show are very unusual.
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